‘The Return of the Mods In Flares’ (see previous posts) might have been more apt. It kind of brings that idea full circle (well mostly anyway, I was in the zone and some of the tracks are just there cos I fancied it) and on the subject of mods, Steve Rinaldi from the fantastic Rinaldi Sings is over on Here Comes The Nice with a belting set of answers. It’s time to break the iron out and sharpen up groovers!

Love n’ penny chews, TBC

Peacock Strut - Lefties Soul Connection

Into Orbit - Captain Hammond

Be Yourself - The New Mastersounds

Raw Ingredients - The Quantic Soul Orchestra

Natri Ba Makom - The Apples

Show & Prove - Breakestra

Hotpies Popcorn - Leslie Overdrive

Fast Eddie - The Sound Stylistics

Love Is On Our Side - The Frank Popp Ensemble

Planet Rock Pt 1 - Breakout

Hilo - Antibalas

I Bet You Look Good On The Dancefloor - Baby Charles

Alright - JC Brooks & The Uptown Sound

The Love Of My Life - Andy Lewis (Feat.Dave Jay)

Button Down Funk mp3

I don’t usually post videos as I’ve had problems with wordpress in the past and was convinced it was the videos that caused it (nothing like the nightmares I used to have on blogger I might add). Luckily though, I’ve worked it out (and yes, it’s simple…like me) and just in time! Our good friend Boaz gave me the nod to this one. It’s a scorcher….when you’re done watching be sure to read the accompanying Q&A with Kutiman.

Kutiman is one funky experience! I really dig the vibe and you HAVE to check it out! I am starting to think Israel might be the new funk central. My top track is ‘Music Is Ruling My World’ cos it says it all. That and a few more are up on myspace to mull over but the album is a must folks! Thanks again to Boaz for helping things along.

Love n’ spangles,TBC

1. How would you best describe what you do to the uninitiated?

I do my best to express what ever i hear in my mind…i usually start with the drums .. when the drums work i jam on it with different instruments and eventually i edit everything to give it a reasonable structure …  

2. Where would you say you are with regard to your career right now?

Hopefully at the very beginning

3. Which song (not neccesarilly yours) best sums you/the band up and why?

I cant really think of one…. 

4. Who would you say has been your biggest inspiration (musically or otherwise)?

I’m trying to get new inspirations (not necessarily from music) every day . I really feel that this is what keeps me alive . Just before i started to record my album i heard  some James brown and Fela kuti records for the first time… its hard for me to say that this was my biggest inspiration but it definitely blew my mind far away.. 

5. Is there anyone amongst your influences that you think would surprise people and why?

I guess not … I discovered “classic” funk and groove music not long ago so most of my influences are quite obvious …James brown , Fela Kuti, King Crimson , The Meters , Soft Machine ……  

6. What are you most proud of?

I released my first solo album worldwide and I got a great response to it… a couple of years ago, before the internet took over, it seemed impossible from a rather isolated place like Israel . 

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

no 

8. What’s the most ridiculous request that’s been asked of you/the band?

As a matter of fact i haven’t been asked to do anything ridiculous … i guess if someday I get more famous as an artist these kind of requests will start to appear .. 

9. What do you think is the secret to a good working relationship amongst musicians?

I’m not sure there is such a difference between relationships amongst musicians and any other kind of relationship … and unfortunately I don’t have the secret to a good one For me having a “good vibe” is the most important thing whenever I’m working with other people… I wouldn’t work even with the greatest musician on the planet if he’s got bad vibes as a person…   

10. If you could have played on one song (that you don’t), what would it be and why?

I don’t really have any specific song that i would dream to play on… although  sometimes when i listen to Fela Kuti I wish I was one of the many percussion players and I would play the simplest part like the clave that goes “click click …click click ” same thing for half an hour  

11. How do you make the balance between music and personal responsibilities?

In times when I work intensely on my music there isn’t such a thing as personal responsibilities .. To tell you the truth, I’m not really happy with the fact that I can spend weeks without eating properly or answering the phone or doing anything except music .. But i guess that as long as I don’t have a wife or children it’s ok  

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

Not really … no doubt that a vinyl looks, sounds and feels much better compared to any other format but eventually music for me is music and i don’t really mind in which format color or shape it comes as long as I can listen to it. 

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

My goal in life is to do whatever i want (art wise) and to be able to make a living out of it… as for the game plan ..i’d rather leave this to my manager .. 

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

I’m not really familiar with many Dj’s but i had the chance to see some big names when they visited Tel Aviv  (Dj food , Diplo ,Mark Hype , Cut Chemist ) and I definitely think they deserve all the respect they get… 

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

My first live show in Tel Aviv with my “Kutiman Orchestra” band is definitely a gig i will never forget. 
 

16. How do you overcome pre-gig nerves (if you get them)?

I still get them and i hate it … from my experience the only thing that can make the pre-gig nerves go away is the gig itself. 

17. When did you last write something?

All the time  

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

Every once in a while i feel like I want to quit everything and fly to India but what holds me from really doing it is the fact that I want to establish myself as an artist first. Sometimes i feel like there isn’t really such a point and if I will keep on telling myself “not yet” I will never take a break .. 

19. What are your views on electronics muscling in and replacing live instruments during recording?

I have no problem with it . I even work on some electronic projects myself.. like i said , music to me is music it doesn’t really matter how its created.  

20. Lastly, thank you for your time. What made you agree to answer these questions?

thank u…

The fact that I want to fly to India and I want to establish myself as an artist first :)) he he

Honestly it really makes me feel great that people like my music and want to know all about it…

We’ve overtaken the 20,000 hits mark, which is quite something as we only hit 10,000 in April. I’ve just realised it also coincides with the 50th post…blimey guvnah! The quality of the Guest List and the Q&A’s have really boosted the traffic so a huge thanks to everyone involved.  And if it’s getting new people to check out the tunes then it’s doing exactly what was intended (and hopefully turning some of you onto some fantastic new bands you maybe hadn’t stumbled across before). It’s been a blast so far and I’m still very much on the ‘one’, as it were. There’s also a  new mix up ‘Helpless Dancer’ over at Here Comes The Nice that you may be interested in, as it’s not a million miles from funky (it’s a jazzy grooves kind of thang).  Stay the right side people, and thank you for coming…glad you’re diggin’ the vibe!

Love n’ fruitgums, TBC

Mathar - Dave Pike Set

The Fuzz And Da Boog - Fuzzy Haskins

Give It Up - Lee Dorsey

Love Is Alright - Cliff Nobles & Co.

I’ll Be True - Virgil Henry

Ice Cold Daydream - Shuggie Otis

Hot Dog - Four Shells

Gonna Get Me A Friend - Sir Joe Quarterman & Free Soul

Fat City Strut - Mandrill

Don’t Wanna Play Pyjama Games - G.C. Cameron

You’re A Winner - Leroy Hudson

My Heart Needs A Break - Linda Jones

Nothing Sweeter Than Love - 100 Proof

Bird Brain - James Rivers

Change Your Ways - Willie Kendrick

New Orleans - The Staple Singers

A Tribute To A King - William Bell

Don’t Take My Sunshine - The Soul Children

Blown Away mp3

It’s a new week and the sun’s out funky people! We’re very lucky to be following The Soul Chef’s Q&A with another of my favourite bloggers DJ Blueprint from  This Is Tomorrow . A fine musician in his own right and an endless font of funky tunes. He’s switched me on to a shedload of tracks along the way and I really dig ‘em! If you’ve not visited his site, then get over there as soon as you can cos you will not BELIEVE the contributors and mixes you’ll find! It’s also where I did my first guest selection which really helped spread the word and jump-start the visits on here, so I’m very thankful to Mike for that opportunity (and I think it’s a cracker…but then, I would!). Keep an eye out for our very own guest mix from DJ Blueprint in the future and be sure to check out This Is Tomorrow cos it’s a biggy folks and you’ll learn a lot by popping in! Many thanks to Mike for everything.

Love n’ dibdabs, TBC

1. How would you best describe what you do to the uninitiated?

i’m a dj, played sets in the uk, spain, france, germany and luxembourg so far. i started dj’ing in 2005 after playing drums in various bands.

i’m also producing my own sample based music and present other people’s music i like on my blog called this is tomorrow. 

2. Where would you say you are with regard to your career right now?

luxembourg isn’t the best place to start a career in music, so i’m still at the beginning. even after doing it for 20 years… 

3. Which song (not neccesarilly yours) best sums you/the band up and why?

my favourite funk song: james young and the house wreckers - barking up the wrong tree. it represents everything i love about music. 

4. Who would you say has been your biggest inspiration (musically or otherwise)?

probably john coltrane. in my opinion, a love supreme is and always will be the best album in music history. 

5. Is there anyone amongst your influences that you think would surprise people and why?

i really like all kinds of music. it always depends on my mood. there’s just two types of music: good and bad. 

6. What are you most proud of?

just being alive.   

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

there are loads of so called managers or business people out there trying to tell you what you have to do or should do.

but i’ve never listened to these people, maybe that’s why i’m still broke… 

8. What’s the most ridiculous request that’s been asked of you/the band?

as a dj, you get stupid requests all the time. can you play this or that… 

9. What do you think is the secret to a good working relationship amongst musicians?

you should always respect your band members and talk about everything. just like in real life. it’s better to work out things together. 

10. If you could have played on one song (that you don’t), what would it be and why?

as a drummer i have to say james brown’s the funky drummer. clyde stubblefield’s drums gave birth to so many great hip hop songs. 

11. How do you make the balance between music and personal responsibilities?

personal responsibilities always come first. although i love music, i think there’s more important things in life. 

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

i still remember where i bought every record in my collection. the last record shop in luxembourg closed in 1991, so i buy most of my records when i’m travelling.

people are missing out on the whole experience of finding a record you have been searching for years. or discovering an amazing record you’ve never heard before. the smell, the feel, the dusty dollar bins, weirdos buying or selling records…

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

i do it because i like to do it. as a dj you get the motivation you need when you see the people having a good time. 

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

depends on the dj’s really. some call themselves dj’s, but all they do is play mp3’s. mp3’s are great but you’re no dj if you don’t have a record collection.

people like kid koala take it to the next level by using turntables as an instrument, so i think it’s fair to see them as musicians. 

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

as a performer: when dionne charles of baby charles told me she never danced that much in her life. as a fan: herbie hancock and wayne shorter playing at an amphitheatre in barcelona. 

16. How do you overcome pre-gig nerves (if you get them)?

i don’t know why, but i never get nervous before gigs. i do what i do and that’s it. 

17. When did you last write something?

i’m writing this at the moment… 

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

i stopped playing drums a few years ago because i was getting tired of rehearsing and most of all, paying huge amounts of money for a rehearsal room.

now i have my own home studio and i can make music at any time of the day. 

19. What are your views on electronics muscling in and replacing live instuments during recording?

in the 60’s and 70’s you had people like sun ra and even james brown, experimenting with electronic instruments. but i think live instruments will always be a part of music. that’s why producers sample live instruments. 

20. Lastly, thank you for your time. What made you agree to answer these questions?

I really dig the right side of funky blog and of course to spread the word

Hey, hey! France’s very own mod-jerk-pop loving sunshine superman Felps from Penelope is doing the Q&A over at Here Comes The Nice right now and I must say, along with Number 9’s…it’s one of my favourites, so check it out if you can!

Meanwhile, you lucky people! The Soul Chef has been busy cooking up some funky delights for us and his kitchen must look like a bomb’s hit it cos this is a funky soul explosion! He is a very busy man at the moment so I’d like to send him some huge thanks (and congratulations) and wish him much, much happiness!  Fufu Stew is always a must, I really dig The Chef’s mixes and he has such an ear for a tune my funky friends that it’s very nearly frightening. He’s been kind enough to indulge me and do the Q&A too so be sure to read on and find out more about him. If you haven’t already you must check out his fantastic blog Fufu Stew (yet another of the inspirations to start this little page) and as The Chef himself  would say….enjoy!

Honky Tonk Popcorn-Bill Doggett
The Road-Communicators
I Thank the Lord-Mighty Voices Of Wonder
Giggin’ Down 103rd-Watts 103rd St. Rhythm Band
Little Old Country Boy-Parliament
Different Strokes-Syl Johnson
The Jed Clampett Part 1-The Sister & Brothers
Go For Yourself Pts. 1&2-Kenny Smith & The Loveliters
Soul Duck-Plight
Tra La La-The Great Deltas
Bag Of Soul-Soul-Saints Orchestra
I Who Have Nothing-Ray Frazier & The Shades Of Madness
Stayed Away Too Long-Manuel B. Holcom
Let Me Come Within-Renaldo Domino
Soul Feelin’ Pts. 1&2-Eddy G Giles
Pass It On Part 1-Pieces Of Peace
Part 2-Bad Medicine
Let’s Go Down To Funksville-Dayton Sidewinders
Move in the Room-Dawn and Sunset
Cold Heat-Lil Javier and The Fabulous Jades
Trip Pts. 1&2-Eugene Blacknell
You Ain’t My Brother-The Soul Shakers

The Soul Chef presents ‘Another Fufu Funk Fix’ mp3

1. How would you best describe what you do to the uninitiated?

I fancy myself as an armchair DJ, if there really is such a term.  Basically I have been making mixtapes since 1983, first for family and friends, and now for the world thanks to the success of Fufu Stew. I can and have played a few live gigs over the years but I feel that I’m best known for the mixes I create.

2. Where would you say you are with regard to your career right now?

Wishing that I could organise a heavy Funk night in my hometown of Baltimore as it is sorely needed…

3. Which song (not necessarily yours) best sums you/the band up and why?

“Do Your Thing” by Isaac Hayes. The lyric tells the story in a nutshell: “…whatever you do, you’ve got to do your thing.”

4. Who would you say has been your biggest inspiration (musically or otherwise)?

Besides the world’s most legendary cratediggers whose names are household words to most, I’d have to say that the many and various colleagues that I’ve met in the blogisphere provide me with the inspiration and information I so desperately seek when it comes to buying records.

5. Is there anyone amongst your influences that you think would surprise people and why?

I’d have to say not particularly, although some people may be surprised to know that none other than Alex Trebek, host of the Jepoardy game show, is also an avid cratedigger. I would really love to be able to browse through his crates someday.

6. What are you most proud of?

My ever growing collection of 45s… If I include all of my golden oldies reissues and stuff that I don’t play anymore, I’d have to say that I am the proud owner of about a couple thousand or so, and that’s only after about three years of serious collecting. I know it ain’t much to some, but for me, it’s something that I really am proud of.

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

Yes. I quit playing the saxophone in grade school. I hadn’t discovered Jazz yet, but if I knew then what I know now…

8. What’s the most ridiculous request that’s been asked of you/the band?

To play Milli Vanilli records at a gig that I did many years ago, knowing that no one would be interested in hearing them. While I did get paid rather well, I would have much rather filled the floor with the Acid House records that I was into at the time.

9. What do you think is the secret to a good working relationship amongst musicians?

Communication.

10. If you could have played on one song (that you don’t), what would it be and why?

That is a tough question to answer. If it were twenty years ago, I’d say it would have to be “Carolyn’s Fingers” by the Cocteau Twins. Why? I absolutely LOVE Liz Fraser’s vocal skills. I could see myself jamming with the band having the time of my life. As far as now it’s hard to say, but I could see myself playing some wicked guitar licks or organ riffs on a wide variety of Funk classics, that is if I could play… I really do regret giving up playing an instrument now.

11. How do you make the balance between music and personal responsibilities?

My personal responsibilities make it possible to have the music I enjoy. It also helps that my future wife (we are getting married next week) understands and supports my obsession as long as it doesn’t interfere with those responsibilities too much.

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

Absolutely not. Speaking from personal experience, if it weren’t for the internet, I’d probably be listening to the prefabricated Pop records that basically sell themselves. I could speak volumes on this issue, but I’d only be beating a dead horse.

13. Do you think that success is your motivation and do you have a preset game plan for your music/the band?

I could say yes, but being the humble individual that I am, if a small handful of people enjoy what I do then I am satisfied. I’m not even looking to make a living at it because I’d be doing it for myself anyway. For me, being able to share my work with people who are appreciative is an added bonus. As far as a game plan, I just keep looking for exciting music that will further enhance that satisfaction.

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

That’s a fine line. Some say that a turntablist is not a musician because anybody can take a record and run a needle across it. I say it’s all in the presentation.

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

As a performer, the two times I played 45s at the World Famous Asbury Lanes. Sharing the decks with DJ Prestige, Larry Grogan, DJ Bluewater and all of the other fine DJs of the Asbury Park 45 Sessions team was by far the most fun I’ve ever had doing what I love to do. As a fan, I’d have to say just about any of the twenty or so times that I’ve seen Gov’t Mule on stage were pretty memorable. Their stage show is by far the most beautifully ferocious thing I’ve ever witnessed.

16. How do you overcome pre-gig nerves (if you get them)?

President John F Kennedy once said that the only thing we have to fear is fear itself… I find that if I jump into a gig or a mix head first that only good things can result.

17. When did you last write something?

I used to write poetry some years ago and an occasional essay for personal enrichment, but sadly I haven’t done anything like that in several years.

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

Yes. In fact, just a few weeks ago I was contemplating the thoughts of shutting down Fufu Stew. Needless to say, I just couldn’t do it. Several of my colleagues persuaded me to continue, albeit on a somewhat limited basis for the time being.

19. What are your views on electronics muscling in and replacing live instruments during recording?

I don’t feel that electronics are muscling in, especially with the revival of true Funk and Soul music and the musician’s use of conventional. sometimes vintage equipment. Electronic music does have its place in music history on so many levels however, so I must say that overall I am not opposed to it.

20. Lastly, thank you for your time. What made you agree to answer these questions?

It was my pleasure. I agreed to this Q&A session because I was flattered at the fact that someone out there really wanted to know about how the Soul Chef was born. After all, I really am only an armchair DJ… {smile}

Peace and blessings.

Heads up funky people! Vincent the Soul Chef will be making a visit from the mighty Fufu Stew on Thursday with a fantastic guest mix and a Q&A! I know…you’re spoilt, but what the funk!

Next up for the Q&A is Dionne from the seriously funky Baby Charles. Their debut album is sensational and the live experience really is out of this world. I’ve never seen anyone with as much energy totally command a room from the moment they walked into it, and then still somehow turn it up tenfold once they hit the stage. And what a voice…check them out here on myspace and get on the Baby Charles bus, baby! You can also check Dionne on the new single King Comforter by the best band around the New Mastersounds (click on the name, you know how this works now). Many,many thanks and funky vibes to Dionne!

1. How would you best describe what you do to the uninitiated?
We get people moving there feet. That’s what it’s all about!

2. Where would you say you are with regard to your career right now?

Right at the very beginning, hopefully. We never really expected to come this far so we are just enjoying all the positive things that are happening to us right now.

3. Which song (not neccesarilly yours) best sums you/the band up and why?

Italian Spiderman, I think it speaks for itself.

4. Who would you say has been your biggest inspiration (musically or otherwise)?

James Brown has had to have been the biggest influence for any funk band in existence or you are not playing funk

5. Is there anyone amongst your influences that you think would surprise people and why?

Metallica. I don’t think people should be surprised though.

6. What are you most proud of?

Baby Charles

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

I sure have – Dionne and its still out there so get hunting, I’m not giving you any clues though.

8. What’s the most ridiculous request that’s been asked of you/the band?

To travel all the way to Scotland from Brighton for a gig, on a weekday and not get paid a penny. Are you kiddin’ me?

9. What do you think is the secret to a good working relationship amongst musicians?

Having fun is really important, once the fun has gone its time for the band to split.

10. If you could have played on one song (that you don’t), what would it be and why?

Any James Brown song, cause we would have played with the Godfather of soul

11. How do you make the balance between music and personal responsibilities?

It’s the eternal struggle. I (Dionne) divorced my husband and I think this was possibly the best way.

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

The sound quality on vinyl cannot be replicated and I know they are not as widely used but you can’t beat it. Go buy a record player everyone you won’t regret it!

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

I think it’s more down to luck and the music than judgement and planning. We are now planning our next album and we hope to have another single out later this year.

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

I’ve been in clubs dancing till 7.30am loving the music. These guys bring music you would not otherwise have heard, I’m all up for DJs.

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

Portishead 1993 (I think) Glastonbury. Mmmm it was very good.

16. How do you overcome pre-gig nerves (if you get them)?

You shit a lot and sometimes become slightly irritable and panic a little. I have vomited once or twice as well. The best way to get rid of them is to just get on stage, the side effects disappear straight away.

17. When did you last write something?

Today, I’m writing right now!!

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

Yes. Years ago, I wasn’t well and just wanted to give it all up. The band wouldn’t let me go thank god.

19. What are your views on electronics muscling in and replacing live instuments during recording?

We don’t do it personally but we’re not adverse to the idea, we like to experiment

20. Lastly, thank you for your time. What made you agree to answer these questions?

Cause I’ve met you, you seem like a nice man and you asked me!

Afro Strut - The Nite-Liters

Beaten Metal - Antibalas

Breakin’ Bread - The J.B’s

Brother, Brother - Esther Phillips

Chicken Lickin - Funk Inc

Dedicated - Diggable Planets

En Focus - Quantic Feat. Trinidad

Find Yourself - Sir Joe Quarterman & Free Soul

Give The Women What They Want - The Isley Brothers

If You Want Me To Stay - Sly & The Family Stone

Knucklehead - Grover Washington Jr

Ride On - Parliament

Sad Thing - Nostalgia 77

Saia Dessa Fossa - Cassiano

Shack up - Banbara

Fat n Funky mp3

Handsome Homeless from Watts, LA have some serious funk going on. Their dedication to ‘the funk’ should you need it can be found on their myspace player (check out ‘Shake It Like It Owes You Money’, it’s a belter). I really dig ‘em but know nothing about them so this is another education for me. Funktastic!

1. How would you best describe what you do to the uninitiated?

The only thing I call it is DIRTY FUNK! It’s the way it was when it started… Raw and Nasty real!

2. Where would you say you are with regard to your career right now?

 We havin fun. There aint no money but we havin fun. In 2 words, Groovin contently.

3. Which song (not neccesarilly yours) best sums you/the band up and why?

HUBBIN N DUBBIN is what we all about. Just livin like we doin somethin in tha hood.

4. Who would you say has been your biggest inspiration (musically or otherwise)?

The old cats like J.B., SLY, METERS, P-FUNK, stuff like that.

5. Is there anyone amongst your influences that you think would surprise people and why?

One of our top cuts is THE BEATLES. They groove down! We was thinkin of havin fun FUNKin up THE WHITE ALBUM trak by trak! Tell me that wouldn’t feel good on yo eardrums!!

6. What are you most proud of?

The music we makin.

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

NO! We aint never sellin out to nothin. If someone pays for what we givin, we don’t need to regret nothin.

8. What’s the most ridiculous request that’s been asked of you/the band?

Every time we ever played someone be screamin to Rap ova one of our FUNKY GROOVES! We let it go if we in the mood but brothas always pushin too far talkin about they gang bangin or they females they pimpin. That all played way out but everytime we play somebody wanta “SLAP THEY HO.”

9. What do you think is the secret to a good working relationship amongst musicians?

 I think it’s about clickin up on the same page. We finds so it aint too hard fo us to keep tha groove.

10. If you could have played on one song (that you don’t), what would it be and why?

 I got 2. YOUR ALL I NEED TO GET BY (MARVIN GAYE) and OOH CHILD (FIVE STAIRSTEPS) I’d play bass. That’s some smooth groove.

11. How do you make the balance between music and personal responsibilities?

 It’s all the same to me.

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

DIG! I remember goin all the way to hollywood on the blueline train from COMPTON when I was a kid just to get a MILES DAVIS record that I heard about. That made the record so much mo valuable to a young brotha. Today some of tha little homies is lazy and they miss out on that hunt.

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

No. We havin 2 much fun groovin. We’ll see if things go big but aint nobody beefin fo it.

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

I got a homie who makes bigga money than OBAMA scratchin vinyl! He good at it so people give him props. I think they silly but…

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

We was jammin at a party on Santa Ana and Graham at tha towers. Tha news came by and did some filmin. At that time, some GRAPES rolled on some essays hangin in K-MOB hood. Everybody runnin screamin but we kept on groovin. I didn’t hear it until they was done. Tha female what was reportin tha thing started cryin cause she was shocked by it. I never saw it on tv.

16. How do you overcome pre-gig nerves (if you get them)?

I never get that way.

17. When did you last write something?

Everyday. Just savin up to get into tha studio with some new cuts.

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

I don’t remember anything like that. I like it too much.

19. What are your views on electronics muscling in and replacing live instuments during recording?

I go by tha old saying that DRUM MACHINES HAVE NO SOUL. If you skin and bones, how can you groove SYNTHETIC!?

20. Lastly, thank you for your time. What made you agree to answer these questions?

Ive always wanted a forum to address tha last question. I like talkin FUNK!

Right, well I’m happy now. After much nagging and nudging I’ve managed to get Andy Lewis to stop working just for a minute. This is a real thrill for me as his 2 solo albums ‘Billion Pound Project’ and ‘You Should Be Hearing Something Now’ on Acid Jazz records are a mainstay of my collection and the closest thing in my opinion, that you’ll get to modern day northern soul (or at least the vibe). That said, there’s a lot more to them than that both influence and sound-wise, and the recordings boast an outstanding host of guest appearances and vocalists. If you (somewhat unbelievably) don’t recognise the name, Andy is the man who teamed up with Paul Weller last year to present us with a nifty little number and the best 45 to hit the high street in a very long time, the mind blowingly good ‘Are You Trying To Be Lonely’. He is currently playing some fantastic bass with Paul and features on his new album ‘22 Dreams’ which is at number one in the album chart (and it’s not everyday you get to say that!). He has been touring as part of Paul Wellers band and as such has made appearances on Later with Jools Holland and Friday Night with Jonathon Ross. Aside from this he is also a highly sought after and acclaimed DJ as well as being a member of the bands Pimlico and Spearmint (and is very probably involved in many other things either as a DJ or a musician but I honestly just can’t keep up). Check him out on myspace to hear some of his latest solo work and if you don’t already own his albums…you really,really should folks!. Thank you so much for sparing us some of your indisputably valuable time Andy!

1. How would you best describe what you do to the uninitiated? 

I’m a musician and DJ, currently playing bass for Paul Weller and the mind behind two reasonably successful solo albums for Acid Jazz records. 

2. Where would you say you are with regard to your career right now? 

Right now I’m probably exactly where I want to be. I’ve a very busy year ahead; a world tour with Paul’s band, Spearmint’s umpteenth album’s in the can and due for release later in the year, my third album needs doing and my old band Pimlico is due in the studio soon to work on their second after a ten year hiatus. I’m also DJing fairly regularly at home and abroad when I’m not doing all that- the diary’s pretty full and the bank manager’s happy! 

3. Which song (not necessarily yours) best sums you/the band up and why? 

It’s hard to think of one. “Top Of The Tower” from my last album pretty much sums up my various musical and cultural influences. Everything from Andy Ellison’s vocal through to lyrics mentioning early 70’s Chancellor Of The Exchequer Anthony Barber’s short lived property boom are set to a musical mash-up of dozens of bits of music you think you know. It’s the sound my brain makes… 

4. Who would you say has been your biggest inspiration (musically or otherwise)? 

The crowd at the early days of Blow Up. I’ve never met such amazingly friendly and receptive people. All the music I make, I make with them in mind. Were I to go back in time with my new stuff back to 1993, they’d dig it! 

5. Is there anyone amongst your influences that you think would surprise people and why? 

Slade. I absolutely love their album “Slade in Flame”, soundtrack to the film of the same name that I also absolutely love. That song “How Does It Feel” is beautiful… And earlier on they sported a Skinhead/Suedehead look that I emulated as a fan of 80’s popsters Boys Wonder. I’ve also got a soft spot for early Queen as well, in particular songs written by bass player John Deacon (who I apparently resemble, only with slightly less hair!) 

6. What are you most proud of? 

Having a bona-fide hit single with “Are You Trying To Be Lonely?” last year. Silly little me recording for silly old Acid Jazz selling a silly quantity of vinyl and only losing out at being number 1 in the Indie chart to The White Stripes by a handful of sales. It’s also acclaimed by Weller fans as one of his best performances. Not bad for something mostly recorded in a bedroom in an East London flatblock.  

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? 

No… not really.  

8. What’s the most ridiculous request that’s been asked of you/the band? 

I was once asked by someone whilst DJing at Blow Up if I had any Meat Loaf. Fortunately my dear friend Tony had just turned up with a bag full of groceries, so I was able to say in all honesty, “No, but I have got some malt loaf…” This was long before I had a copy of “What You See Is What You Get” by Stoney & Meatloaf (his earliest-and funkiest-record for Rare Earth records in about 1971). 
 

9. What do you think is the secret to a good working relationship amongst musicians? 

Enough musical common ground so that there’s a selection of songs we all know that can be jammed about in rehearsal semi-seriously. Being able to mess about and come up with something that later ends up a classic pop song or in the set depends on this. It’s what I love about the Weller band- that version of “All You Need Is Love” that we do as an encore sometimes started out as a rehearsal room jam.  

10. If you could have played on one song (that you don’t), what would it be and why? 

“Groovin’ With Mr Bloe” by Mr Bloe. The bassline, when it kicks in, is magical. So simple and effective. Brilliant! 

11. How do you make the balance between music and personal responsibilities? 

Do you mean a personal life? Well, I think it depends on who you share your personal life with. If you’re lucky enough to be sharing your life with someone who supports you, helps you and inspires you then it’s very easy to keep the balance. I count myself very lucky to have a partner who does all of these things and a whole lot more. It’s hard to be a touring musician or DJ and have a conventional home life, but we’re not really conventional people and absence certainly makes the heart grow fonder (and the flat grow larger as all my gear gets packed up and taken away!) 
 

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? 

Definitely. There’s nothing quite like finding a dusty old record in a seedy old shop and getting it home to discover that your groove radar hasn’t let you down! These days, it’s dead easy to find out what other people are listening to and copy it. Having said that, it does make getting my music across to other people a lot easier. I’ve friends all over the world thanks to MySpace, and I sell a considerable number of records overseas. I’ve come across a lot of good music on the internet and have bought a lot of vinyl online. But you still can’t beat the thrill of feeling like you’re the only person in the world with a copy of something you found on a market stall somewhere. 

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? 

I’ve felt successful even when I’ve been selling no records and earning no money. That’s when the feeling counts. It’s the little victories that keep you going. Somebody mentioning to you that you’re playing the best music they’ve ever heard in a club, or telling you that some song you’ve written and recorded means something personal to them is a just reward for working bloody hard and keeping faith with your own musical taste and sense of self. My motivation is really to get all the silly little tunes and ideas that clutter up my brainbox out of my head and onto vinyl, or I’d explode. And also to tell the world about all the strange records I’ve discovered because they deserve to be listened to. The material things, and the “fame” bullshit stuff barely register as reasons for doing this, and for years there’s been no recognition and no money. I’m lucky to have a little of both now. I don’t need a lot, I’ve got simple tastes and I like being who I am…but it’s nice to be making enough cash to have some fancy threads and flashier equipment! That’s my gameplan such as it is- keep on keeping on! 

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? 

Only DJ’s who acknowledge that they aren’t bigger than the music they’re playing are worthy of their fame.  

15. To date, what has been your most memorable gig (either as a performer or as a fan)? 

Just the other day I was playing with Paul Weller’s band at the last night of a 3-night residency at the Hammersmith Apollo. Roger Daltrey joined us on stage for an impromptu (and unrehearsed) version of “Magic Bus”. Halfway through it, Paul comes up and whispers in my ear “Can you f*cking believe this, man?” That’s probably knocked Pimlico’s sold out show at the Dublin Castle when our singer came on stage wearing a Michael Portillo mask into second place… 

16. How do you overcome pre-gig nerves (if you get them)? 

I don’t overcome them, they all but overcome me. But that’s not always a bad thing. Nerves keep you focused. A sense that you’re permanently on the edge of stuffing something up makes you concentrate harder on what you’re doing, so you don’t. Generally before a gig I’ll go for a walk, often quite a long one, just to save wear and tear on the dressing-room carpet. About a minute before stage time, I’d gladly hand my bass to anyone willing to take my place. But as soon as I’m up there, I don’t want it to stop. 

17. When did you last write something? 

When I got this questionnaire I was working on a new tune. I’d just programmed the drums and had finished recording the piano part when I thought I’d check my emails… 

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? 

Towards the end of 2004 when I’d finished my first solo album but it hadn’t yet come out. I’d just taken a job as a roadie for an indie-rock band who’d just signed a mega-bucks deal with a major label. I was skint, surrounded by people who were younger and more successful than me playing gigs in front of hundreds of people who dug them and I thought that I might as well stop trying, sell everything and try and get a “normal” life. But I had one last DJ gig to do… that’s where I met my wife and basically it was her encouragement to keep doing my own thing that kept me going. I stayed as the band’s roadie for a couple of years though- they turned out to be really nice guys and if they ever need my services again I’d be glad to go out on the road with them any time! My fees have gone up a bit though… 

19. What are your views on electronics muscling in and replacing live instuments during recording? 

It’s great. I’m like Les Dawson on the keyboards. Thank goodness for MIDI and ProTools. And we only live in a small flat. There’d be no room for us if we had to compete for space with a real Hammond, grand piano, harpsichord or Mellotron. Having said that, I’d always get a real Hammond player in if I could. Electronics and virtual instruments will never totally replace real ones, there’s a synergy you get when you sit at a real piano or a Hammond that you don’t get with a plug-in. Having said that, the Manekin-Elektronic GMBh Memotron (a digital Mellotron) is the most amazing digital instrument I have ever encountered. It has an authentic Mellotron sound but a feel all of its own. Beautiful to look at and to play.  

A musician who has mastered an instrument brings something extra-special to a recording session. I think my best stuff has been created when there’s been real people playing real things.  

20. Lastly, thank you for your time. What made you agree to answer these questions? 

Your insistence that I should…!

Ive been lucky enough to be invited to make another guest selection (always a pleasure I might add). This time my travels have taken me to the funktastic world of Parkdale Funk.  Get on over there, have your funky fill and subscribe to the podcast! 

Ooh Yea - Betty Davis
Sidra’s Theme - Ronnie & Robin
Comin’ From A Higher Place - Baby Charles
Hold It Down - The Quantic Soul Orchestra
The 900 Number - The 45 King
Outrage - Booker T & The MG’s
Wiggle Waggle - Herbie Hancock
Do What You Gotta Do - The New Mastersounds
Turn Off The Light - Larry Youngs Fuel
Koochie Koochie Koochie - Mavis Staples
Smiling Faces Sometimes - Rare Earth
Thinking - The Meters
Football - Mickey & The Soul Generation
Les Joies De L’amour - New Jersey Kings
Answer To Mother Popcorn - Vicky Anderson
Rough Out Here - Modulations

Download it here by subscribing to the podcast at Parkdale Funk

First things first… The G-Spot at The Pigalle is the place to be tonight (yet again) with Trio Valore, Funk’n’stein, Corrina Greyson and a whole host of others that you really don’t want to miss… so get down there and get your funk on!

 We’ve broken out the big guns for you this time around on the Q&A. I don’t even know where to start with this band cos Funkshone are an absolute sensation. Check out their 45’s and you’ll see what I mean. I haven’t had the pleasure of catching them live YET (they return to the Jazz Cafe Saturday the 14th) but I hear it just gets better and better. A mighty big sound from a hugely talented band (most, if not all of whom are individually involved in various other projects of note). Watch this space people cos this lot are the real deal and an album is on it’s way. Check out their myspace player if you don’t know them already and get your hands on some of this funk as soon as you can! Thanks to Mike for sparing us some time and giving us an insight into their world.

1. How would you best describe what you do to the uninitiated?

We make deep funk, akin to a freight train coming at you at full tilt!

2. Where would you say you are with regard to your career right now?

A fair way in but I’ve still alot of ambition and hunger to do alot of different things in music, as have the rest of the band

3. Which song (not neccesarilly yours) best sums you/the band up and why?

Wired by Funkshone. This is a new one from the new album. We are all playing on it and it has a similar energy to the first 45 purification. Plus look at the title; Wired! Says it all really!!!

4. Who would you say has been your biggest inspiration (musically or otherwise)? mmm tough one.

For me I suppose people like Clyde Stubblefield, Bernard Purdie.

5. Is there anyone amongst your influences that you think would surprise people and why?

Er…. Yes! Vangelis! I love the strings and the moods in his work (Bladerunner especially). Yeah it’s not funk but I appreciate sound in a very deep way, I like to think Im quite open minded with music. I also write across different styles and genre too!

6. What are you most proud of?

Firstly my kids, leo and dexter. Wow is all I can say. But aside of such a big achievement I suppose making my way n to the industry on my own. I have worked very hard over the last 15 years and supported myself through my career, university etc, no parents bank rolling me!!

7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

Been a bit over zealous at times but no real regrets; everything happens for a reason so they say…

8. What’s the most ridiculous request that’s been asked of you/the band?

To bring an 8piece band to a show for £50 and free beer. Lesson 1 - free beer is fucking useless if you have to drive 200 miles after the gig!!!

9. What do you think is the secret to a good working relationship amongst musicians?

Tolerance, understanding and standards. Get that balance right and you can reach for the moon!

10. If you could have played on one song (that you don’t), what would it be and why?

Soul Drums by Bernard Purdie. Why?? Have you heard that tune??!! There is no why!!

11. How do you make the balance between music and personal responsibilities?

With increasing difficulty but I didn’t get into this business thinking it would be 9-5

12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

Yes. Somehow it almost feels like you earned the music when you track a 45 or an album down. There’s none of that with the internet.

13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

Gameplan…Keep bringing the funk, I feel we have something different to alot of funk and soul acts so the plan is to develop that and keep in exciting for the band and it’s fans both live and on record.

14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

Folks like Jazzy jeff, craze Q bert etc are different because they are doing something more with turntables. Folks like ian wright, Malachi and Keb are educating people so these people are important. But… there are too many DJs now and alot of em are getting too big for their boots; I met some guy who says he’s a face in Ibiza a month or so ago at a recording session. He was amazed I didn’t know who he was!!! what a prick!! so in short, the answer is yes and no!

15. To date, what has been your most memorable gig (either as a performer or as a fan)?

Jazz Cafe debut Feb 23rd 2008. Wow!

16. How do you overcome pre-gig nerves (if you get them)?

Don’t get em, I’m the fuckin daddy!

17. When did you last write something?

2 weeks ago for a dance project. But, I teach at a university so I write music every day! Happy days!!!!

18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

Yeah more than you know. But, on reflection, when you hear stuff out there that is poor but doing well you’ve got to question your motives in life, get back out there, and show em what you got! If you believe in yourself then you just need to be strong and see things through

19. What are your views on electronics muscling in and replacing live instuments during recording?

Fair enough. There are many things electronic instruments can do that acoustic can not. It’s horses for courses really. I don’t feel threatened in anyway by electronica, in fact quite the opposite. It’s great to be able to write a piece for strings without having to remortgage the house to hire the london philharmonic! Let’s face it, as far as funk and soul are concerned, you aint gonna see too many laptops where the Dapkings and FUNKSHONE are concerned are ya??!

20. Lastly, thank you for your time. What made you agree to answer these questions?

The five grand bung you promised me….

On with the Q&A series and what better way than with DJ Prestige, on a visit from the mighty Fleamarket Funk. It’s a bit of a coup for me personally that he’s agreed to do this as he’s another great blogging inspiration, Fleamarket Funk is choc-full of educational snippets, suprises and funky mixes and well worth a visit (but you must already know that). Get on over there when you’re done here and see what’s shaking his tree right now! You are definately gonna dig it!

1. How would you best describe what you do to the uninitiated?

I dig for out of print, forgotten, and under appreciated Funk, Soul, Jazz and Reggae records. I then review them at Fleamarket Funk and most likely include them on mixes which I give out for free.

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2. Where would you say you are with regard to your career right now?

I would say that it’s definately on the upswing. I’m at a place where I can choose to play gigs or not. I am known for a certain style, and for the most part, people like it. I do all the DJ stuff outside of a full time job, so it’s definately a juggling act. I make it all work though.

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3. Which song (not neccesarilly yours) best sums you/the band up and why?

Roy Ayers Ubiquity: Life is Just A Moment. I say this because it is, so you need to enjoy it. I found that in my life, besides my family and friends, records bring me the most happiness. I’m grateful that I can combine the three and make it all work, and I do enjoy it.

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4. Who would you say has been your biggest inspiration (musically or otherwise)?

My biggest influence I’d have to say are a combination of the actual people who were making the music I spin, their hard work and determination to do what they wanted to do at any cost is admirable, and DJ’s like DJ Shadow, Cut Chemist, Kool Herc, Pete Rock and all the original cats who paved the way for a digger and DJ like myself.

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5. Is there anyone amongst your influences that you think would surprise people and why?

Most of my influences are from the music area, so I don’t think that anyone I mention would surprise people. Now if I said I was influenced by Wayne Rooney (I’m a Liverpool Supporter), then most of my friends would say I’m out of my head.

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6. What are you most proud of?

I’m most proud of the whole FleaMarket Funk package I put together: the writing, mixes, the DJ nights, and the small community of DJ’s and diggers that has come together from it. I know there are a lot of cats out there like me who appreciate this music, but have no means to get it. I’m fortunate that my secret spot is ‘vinyl rich’ and I can keep contributing to the record community, and hopefully make a big impact in the music blogging community.

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7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?

Not really, I’ve learned even from the bad times. I’m finding as I approach 40, the experiences, as crazy as they were back then, have made me a better person.

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8. What’s the most ridiculous request that’s been asked of you/the band?

When I was touring in a band (I was the DJ), we played in a strip mall. I thought, what major label band with a legit booking agent gets booked at a restaurant in Canton, Ohio?

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9. What do you think is the secret to a good working relationship amongst musicians?

Being honest with each other about what’s going on in the band. There’s nothing worse than thinking things are going great to find out you were dropped from the label 8 months prior and no-one told the band members. As far as the relationship I have with DJ’s I work with, honesty about the gigs and money up front are a huge plus.

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10. If you could have played on one song (that you don’t), what would it be and why?

If I could have played on one song it would probably have to be ‘Easin’ In’ by Edwin Starr. There is something about this record that moves me. I play it almost every gig at the beginning of a set, to let people know to get ready, because I’m about to drop a whole bunch of stuff on you. Stuff you might know, or might not know, but you’re gonna have a good time while listening to it.

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11. How do you make the balance between music and personal responsibilities?

It’s not always easy. Like I said, I work a full time job. I’m married, and my wife works opposite hours, so in a way that works for the writing and making mixes. I most typically will try to write all my reviews in a few days, so I can spend my time with my wife and our dogs. It’s a delicate balance, but it’s needed.

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12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?

Absolutely. I mean I feel like I’m a kid, buying that Eric B and Rakim ‘Paid In Full’ 12 ” every time I find records at the flea market, thrift store etc. There is definately loss today, because you get instant gratification with a download. Before you got records, liner notes, great cover art that you could actually examine on an Lp, a tangible product. Times change though, and of course I download music and have an mp3 player, but 95% of the music I buy is vinyl. I’ll never stop that.

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13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?

I do believe that motivation has a lot to do with it. I mean, for most weekends, I’m the guy getting up at 5 to get records before the next guy, while lots of people are going to bed then. I don’t really have a preset game plan, more like just roll with what’s going on. I know what I’d like to get accomplished, which is helping to get obscure and forgotten music back on the radar. i think I’m getting there slowly but surely. I’d eventually like to do an out of state or country DJ gig a month, so that’s a huge goal as well.

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14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?

I believe that some are deserved. Guys like DJ Shadow, Cut Chemist, Z Trip, the original DJ’s like Grandmaster Flash and Kool Herc, DJ Premier, man they all deserve it. These fly by night dudes who get a Serato set up (not that there is anything wrong with Serato), and instantly have file of rare records that took me 10 plus years to get, I don’t think they deserve it. The people that put their time in, the ones that actually carried their record flight cases to gigs, dug deep in the field, and did it for the love and made a name for themselves absolutely deserve it. They’re furthering the art and also keeping this music alive.

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15. To date, what has been your most memorable gig (either as a performer or as a fan)?

While I was in a band, we played the Playboy Mansion, which was a cool gig. As far as just me, without a doubt it was opening for Bad Brains last year. they headlined a festival here in Asbury Park,NJ and I played a straight classic Reggae set before they went on. To have a band that you idolised growing up giving you props for the music you play was the biggest compliment I ever got.

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16. How do you overcome pre-gig nerves (if you get them)?

I relax by either having a huge meal or just by breathing.

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17. When did you last write something?

I write just about everyday. It’s absolutely necessary and therapeutic.

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18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?

I did when I was in the band, I actually quit after 3 years on the road. I mean being in a band is hard, especially when you are not in control of your own destiny. That’s why I like DJing, I can control my own destiny, and do my own thing. Finding rare records and just good music that no-one else is spinning in my area keeps me going. I will never stop in that respect.

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19. What are your views on electronics muscling in and replacing live instuments during recording?

Being a DJ, and not very good at playing an instrument (although I really want to play the organ), I’m ok with embracing new technology. However, you’ll never be able to replace that vintage recording sound. Imagine James Brown done without the JB’s and just electronics, i mean it would have changed the face of sampling and music as we know today.

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20. Lastly, thank you for your time. What made you agree to answer these questions?

Anyone named The Beat Collector is alright in my book.

Your Key Don’t Fit It No More - Marie Queenie Lyons

Not Available - Shuggie Otis

What’ll I Do For Satisfaction - Johnny Daye

The Cat - Calvin Owens Show

Sock Some Love Power To Me - Lee Rodgers

Run Tank Run - Booker T & The MG’s

Crumbs Off The Table - Laura Lee

Invitation - A Band Of Angels

Beedo - The Soul Survivors

Chain Reaction - The Spellbinders

You Ought To Be In Heaven - Impressions

Dont Leave Me -Al Greene & The Soul Mates

Mind Your Business - The Manhattens

Get Away From Me Girl - Willie & West

Watermelon Man - Herbie Hancock

Lets Wade In The Water - Marlena Shaw

Take Me In Your Arms And Love Me - Gladys Knight & The Pips

Lock Down mp3

Who are Fred Leslie’s Missing Link? This is like the beginning of an episode of soap so try and keep up! Craig very kindly put me in the picture - ”The “Leslie” in “Fred Leslie’s Missing Link” is because of Leslie Overdrive. It’s me and my drummer (from Leslie Overdrive), Dave Wilkinson from Phat Fred and Paolo Negri from ‘The Link Quartet’. So it’s a combo of all the names”.  Bearing in mind I’d already tried to contact Leslie Overdrive and sent feelers out to Phat Fred and co it seemed that this particular post was bound to happen and I’d learnt something before I’d even started with the questions (Dave Wilkinson also being a member of